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Home / print / Remembering How 2 Draw, by Bug Cru
"Remembering How 2 Draw" zine, subtitled "on the commodification & purpose of making art". Printed on mint green paper, the cover has an abstracted image of figures standing against a waterlike background, surrounded by trees, flowers, and chain link fence.
Back cover of "Learning How 2 Draw" zine, printed on mint green paper and reading, "It is in an Artist's best interest 2 defend our inspiration & passion from all that works 2 exploit it"
"Remembering How 2 Draw" zine, subtitled "on the commodification & purpose of making art". Printed on mint green paper, the cover has an abstracted image of figures standing against a waterlike background, surrounded by trees, flowers, and chain link fence. The zine is being held in a white person's hand against a brick wall.

Remembering How 2 Draw, by Bug Cru

  • Description
  • Additional information

Description

“Remembering How 2 Draw is a free flowing impromptu zine full of spelling mistakes and pencil lines! I started it on a whim while making art with my friend Starry. It’s about the purpose and commodification of art making. I offer stories about my own relationship to it, how it started and changed over time. I ponder what making art does for others and myself and offer antidotes, questions, ideas and sentiments. Each page was made as I went without planning and it reads like a conversation on a living room floor.”

12 pages, black and white, half-letter (5.5 x 8.5), saddle-stitched/stapled

By Bug Cru:

“I’m Bug, an interdisciplinary visual artist, illustrator and tattooist. I bring myself with the perspectives of being a mad, disabled, queer and trans person based on Coast Salish territories colonially Vancouver, BC.

Feeling the world visually, art is an intrinsic focus. I am drawn deeply to the complexity of detail and the expansiveness of imagination. I understand art as a way of relation free of law or limit. I see my role as an artist as constructing hope, while understanding dreaming and inspiration as living components of collective livelihood.

Drawing is core to my practice, with a primary focus on illustration and empathetic tattooing. I make art with pen and paper, sketchbooks and piles of multimedia. I do digital art, painting, printmaking and writing. Sketching, drawing and making as a method of feeling and perceiving. I make elaborate fineline drawings, watercolour and acrylic paintings, comics, poetry, essays and zines. Visual art being integral to me as it is how I am in service to myself and others.

My creativity has seen me through trauma, addiction and micro-lifetimes. It grew up with me through punk scenes and collective houses. It is rooted in the communities that built me and is for everyone who recognizes themself in it. I see personal history and self documentation as keys to empowerment and know survival as being rooted in story. My own is a rejection of sanity and status-quo reality and a navigation of magic, queerness and interconnection. It honours self, reality and time as fluid and non-linear and envisions gay dreamworld futures made tangible through freak art and magical realism.“

Additional information

Weight 50 g
Dimensions 9 × 6 × 0.1 in
sliding scale

1 – i'm unemployed, 2 – i'm working, 3 – i'm comfortable

Price:

$5.00 – $7.00Price range: $5.00 through $7.00
Clear
Category: distributed by sheer spite, print
Tags: art, creativity, perzine

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Tiohtià:ke // Montréal // “Canada”

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